Justin Townes Earle

Justin Townes Earle's age belies his experience. Growing up in Nashville he mis-spent his youth playing in bluegrass/ragtime combo The Swindlers and the louder, more rocking The Distributors and developing some very bad habits. During tours as guitarist and keyboardist (“…and not a very good one,” laughs Earle) in his father Steve Earle's band, his problems became untenable and he was fired. Ultimately he cleaned up his act, dropped his self-destructive habits and began to focus on songcraft. “You don’t have to be fucked up or torture yourself to write songs,” explains Earle, “I used to write a lot, a whole lot, and half those songs I don’t even remember. Now, I sit there and I write it and I finish it and I keep it.” With inspirations as diverse as Townes Van Zandt (he was named in honor of the elder Earle’s hero), Jimmy Reed, Kurt Cobain, The Replacements, Ray Charles and The Pogues, Justin forged his own brand of American roots music. Going through life with a namesake of Van Zandt’s stature cannot be easy for a young songwriter, but Earle takes it in stride,” saying, “Anyone who tries to live up to Van Zandt is a fool. I’m honored to carry the name, but if I spent my life trying to live up to it, I’d have a pretty miserable life.” "Justin Townes Earle is living proof that despite the freak show that is modern day Nashville, there are still artists out there who revere the deep roots of the American musical tradition while still pushing the boundaries to create something new and wonderful." —PopMatters.com

Joe Pug

“If my thoughts are hard to gather

if I don’t know where to start

it ain’t my mind that matters

for I have an unsophisticated heart.”

— Joe Pug, “Unsophisticated Heart”

For the moment, Joe Pug has it figured out, career if not life: Just write the songs that have to be written, play them for anybody who will listen, tour as if you had no home. Oh, and give your music away. Which isn’t to say he won’t be selling his debut full-length offering, Messenger ( Released 2/16/2010 on Lightning Rod). But free is how he came to make it, more or less.

It worked like this, for Joe Pug anyhow: The day before his senior year as a playwright student at the University of North Carolina, he sat down for a cup of coffee and had the clearest thought of his life: I am profoundly unhappy here. Then came the second clearest.

Pug packed up his belongings and pointed his car towards Chicago. Working as a carpenter by day, the 23 year-old Pug spent nights playing the guitar he hadn’t picked up since his teenage years. Using ideas originally slated for a play he was writing called “Austin Fish,” Pug began creating the sublime lyrical arrangements that would become the Nation of Heat EP.

The songs were recorded fast and fervently at a Chicago studio where a friend snuck him in to late night slots other musicians had canceled. He was short on money, but his bare-boned sincerity didn’t require much more than a microphone and it dripped off of each note he sang.

The early rumblings of critical praise for the EP were confirmed when his first headlining gig sold out Chicago’s storied Schubas Tavern in 2008. As word spread, Pug struck upon an idea that would later prove to be one of the most significant in his young career. He offered his existing fans unlimited copies of a free 2-song sampler CD to pass along to their friends. He sent the CDs out at his own expense, even covering the postage. Inside each package was a personal note thanking the fan for helping to spread the word. The response was overwhelming, and to date he has sent out over 15,000 CDs to 50 states and 14 different countries. Without access to radio, Pug managed to turn his fans into his very own broadcast system. The offer still stands, and to this day it’s featured prominently on www.joepugmusic.com.

“Look, in the end, I just trust my fans, and the nature of people in general. I need to pay my bills like anyone else does. But I also don’t think it’s right to ask someone to pay $15 when they don’t know what they’re getting. So in a way by sending out these CDs, I’m wagering that they’ll like my music, and that if they do they’ll come to shows, buy CDs, and help me spread the word even further. And so far I’ve been proven right. Without question, the more sampler CDs I send out, the more music I sell.”

Nation of Heat took on a life of its own, passing from friend to friend and iPod to iPod. The crowds swelled and the media took notice. Tours with Steve Earle, M. Ward, and Josh Ritter followed, as did invitations to Lollapalooza and the Newport Folk Festival. He crisscrossed the country incessantly, traveling mostly alone in his 1995 Plymouth Voyager with no stereo or air conditioning.  As the tours went on, he became closely linked to the burgeoning indie-folk scene that was coalescing loosely around Pug and his young contemporaries in bands such as The Low Anthem, Langhorne Slim, and Horse Feathers.

After over 200 shows, Pug took a brief respite to record his full-length debut. If Nation of Heat heralded the arrival of a talent to watch, Messenger assigns Pug a deserved spot among the finest songwriters of his generation. From the opening notes of the title track that leads off the record, it’s clear that the artist has no intention of retreating to the comfortable or the familiar. While the scathing war indictment “Bury Me Far (From My Uniform)” and the sparse, poetic “Unsophisticated Heart” illustrate that Pug is still a master of the guy-and-guitar song, it’s the supporting cast Pug brought on board that truly brings out the record’s subtle beauty.

From the haunting, ethereal pedal steel guitar that sneaks delicately under “The Sharpest Crown” to the barrelhouse rhythm section that propels “The Door Is Always Open”, it’s clear that Pug is as comfortable exploring this new territory as he is solo. “The first record, it was a breeze,” he says. “Didn’t even know we were making it, just me and a guitar…the songs completely unadorned. This one, it’s like that thing where there’s an explosion and you realize how many options there are in the world.”

With his debut album now finished, the options only get more numerous for the 25 year-old-singer. The remainder of 2009 will be spent touring Europe before he returns home to hit the road in support of Messenger.

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