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Madame Pamita & Her Parlour of Wonders, Tippy Canoe

In the spirit of bounteous munificence, Madame Pamita presents the most tantilizing, most mesmerizing, most edifying experience of augury and prognostication the world has ever known. This mystic seer and musical prodigy does nothing less than spiritually transform those who witness her act. The powers of the vibration of unselfconscious music coupled with the mystical science of fortune telling allow her to access the depths of the human soul and once there to tranfigure it with the power of divine light.

Enter into the curious and sublime world of Madame Pamita's Parlor of Wonders, an old-time medicine show filled with mysticism, music and melodrama: an entrancing array of spectacles both quaint and queer!

Madame Pamita uses the powers of euphonious prognostication to tell audience member fortunes and plays songs written both by herself and by those who have moved on to the great beyond - rural blues, old time, jug band and proto-jazz numbers about romance and revenge and mirth and mayhem on an assortment of odd and bizarre vintage instruments (Imperial Banjeaurine, Banjolele, Ukelin, Marxophone, Polka-Lay-Lee, and Tiple; as well as a 115 year-old banjo and early 20th century ukuleles).

Often performing with her are primitive American musicians of the highest order and various and sundry delightfully antiquarian diversions.

Fans of Harry Smith's Anthology of American Folk Music, Alan Lomax's field recordings or what Greil Marcus likes to call "the Old Weird America" will be transported to the birth of recorded music when an evening's entertainment meant surprises, amusements and a singular experience like no other!

No hoaxes, hoodwinking, flimflammery or swindling of any kind. Madame Pamita is a true Seer of the Highest Order, having studied under the tutelege of the Greatest Masters of the Craft of Divination. Her display of other-worldly knowledge turns skeptics into zealous believers.

Before embarking on her mystical quest, Madame Pamita was a featured performer on the Dime Museum Circuit with The Neptunas, Cheap Chick, Dime Box Band, The Birdinumnums and as the Impresaria of The Grand Ole Echo.

Step right up, ladies and gents, and be prepared to be dumbfounded and delighted by Madame Pamita's prodigious powers of prognostication and melodic merriment! 

Originally from Baltimore and now based in sunny Oakland, songbird and solo uke-slinger, Tippy Canoe (Michele Kappel), made the switch from a 5-piece drum kit with the garage-pop princesses The Kirby Grips (Sympathy For The Record Industry), to a 4-stringed ukulele in 2003. Since then she’s been on a mission with her band the Paddlemen to bring sincere uplift in a severely down-slanted era by spreading her hook-laden pop-meets-roots music.

On her debut full-length album, “Parasols & Pekingese,” released in 2008 on Late Bloomers Works and recorded with her full band the Paddlemen, Tippy Canoe shows off her enchanting and dynamic sound. Her voice is a mixture of the 60's girl group sound and classic country with its own quirky nature shining through. Her songwriting highlights a variety of influences ranging from 20's and 30's acts like The Boswell Sisters and Jack Teagarden, to 50's and 60's performers like Brenda Lee and The Chiffons, and catchy post-punk bands like Squeeze and Blondie.

Tippy Canoe has shared the stage or completed coastal tours with artists including Martha Wainwright, Big Sandy & his Fly-Rite Boys, Mad Tea Party, and others. San Francisco shows Tippy Canoe a lot of love; she was included in an exhibition on the ukulele at the San Francisco Museum of Craft and Folk Art, featured in the first annual San Francisco Ukulele Festival, and aired on a segment of PBS’s Bay Area Arts program SPARK TV. Tippy Canoe also contributed original music to the animated children’s DVD “Music Time.”

You won’t want to miss Tippy Canoe as she continues to stomp the pavement and charm audiences with her solo act. 

Location: In the Front Room At The Crepe Place
Contact: 831-429-6994
8pm doors, 9pm show $8

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