Trevor McSpadden and Band

Oct 5 @ 9:00pm

9pm showtime

$7 cover ($10 for couples)

Trevor McSpadden:
http://www.trevormcspadden.com /
Amarillo native Trevor McSpadden moved to Chicago in 2005 expecting his love for old-school honky-tonk to go undernourished, but within a few years he found kindred souls and landed a gig that would launch his career. Between 2008 and 2013 McSpadden served as lead singer for local country institution the Hoyle Brothers, pushing a solid band toward greatness (the combo managed to survive his loss, though his departure has certainly stung). Following a brief stint in Nashville, McSpadden packed his bags for San Diego and just recently dropped his second solo album, The Only Way (Chaparral Street Music). A blast of soulful twang, with frequent Tex-Mex flavors, the record was produced by Pete Anderson, the guy who guided Dwight Yoakam’s sound for many years. It shows again that McSpadden has no interest in reinventing honky-tonk, instead preferring to find new wrinkles deep within the genre—here a crisp rhythm attack in combination with the woozy pedal steel and flanged rhythm guitar of the 70s surrounds his unfussy singing. Most of his songs deal with familiar strains of heartbreak, infidelity, and romantic longing: “His Wedding Ring Is Gone” employs a Hangover-like conceit, with the subject regretfully waking up to realize he’s hawked his wedding ring for a night of drunken sex, while “Write a Song for You” cleverly finds the narrator wagging his finger at an ex, betraying his indifference while singing, “I’ve wasted enough time / Why would I waste a rhyme?”
- Peter Margasak, Chicago Reader, August 2016

Solid country gold.
- Pepper Daniels
KJUG 98.1 FM
San Luis Obispo, CA

"Ready To Get Hurt Again” jauntily navigates post-heartache terrain with the song’s narrator offering up a tongue-in-cheek assessment of his readiness to love again: “I’m ready to get hurt again/My heart’s been too long on the mend.” The tune pointedly recognizes the risks associated with doggedly pursuing the affections of another (“You roll them dice and keep yourself believing/ That this time you won’t end up black and blue”), a pragmatic acknowledgement that even the sweetest romance can sour. McSpadden smoothly delivers the infectious (and ultimately hopeful) tune with ease and wit, ensuring that “Ready To Get Hurt Again” will sound heaven-sent to fans of traditional country.
- Goodnight Hestia, April 2016